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Bic Tieu

Street Address
Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Creating Beauty Between Cultures

Jewellery World Magazine

Creating Beauty Between Cultures
Words by Kirsten Ehrlich Davies

While Bic Tieu was studying design and jewellery education at the University of NSW Art and Design, her mentor showed her a book on East Asian Lacquers. This book had a huge impact on Bic’s artistic journey, leading her to become the only Australian practitioner of the Japanese lacquer technique of Maki-e. “The book was a catalogue of the collection of the Florence Herbert Irving collection, and included lacquer ware from China, Japan and Korea,” said Bic. “I was entralled by the lustre and beautiful designs of the lacquer objects and I wanted to recreate the objects I had seen in the book.” But when Bic pushed to learn more about East Asian lacquers, she discovered that there were no Australian based experts who could guide her and answer her questions. Her curiosity led her to pursue a Master’s research project investigating Vietnamese lacquer and its applications to contemporary jewellery.

To see full article, please download from Jewellery World December 2020 issue:

www.jewelleryworld.net.au/magazine/

Creating Beauty Between Cultures

Jewellery World Magazine

Creating Beauty Between Cultures
Words by Kirsten Ehrlich Davies

While Bic Tieu was studying design and jewellery education at the University of NSW Art and Design, her mentor showed her a book on East Asian Lacquers. This book had a huge impact on Bic’s artistic journey, leading her to become the only Australian practitioner of the Japanese lacquer technique of Maki-e. “The book was a catalogue of the collection of the Florence Herbert Irving collection, and included lacquer ware from China, Japan and Korea,” said Bic. “I was entralled by the lustre and beautiful designs of the lacquer objects and I wanted to recreate the objects I had seen in the book.” But when Bic pushed to learn more about East Asian lacquers, she discovered that there were no Australian based experts who could guide her and answer her questions. Her curiosity led her to pursue a Master’s research project investigating Vietnamese lacquer and its applications to contemporary jewellery.

To see full article, please download from Jewellery World December 2020 issue:

www.jewelleryworld.net.au/magazine/

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