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Bic Tieu

Street Address
Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
  • BLOG
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An Orchid in the Desert by Kevin Murray

An Orchid in the Desert - The Lacquer Journey of Bic Tieu
Kevin Murray

What does it mean for an Australian to master lacquer art? This quintessential oriental art developed over seven millennia to become one of the most sophisticated languages for expressing the preciousness of human existence. What chance does a young settler culture have to contribute to this tradition? Our ancient art is ochre and bark, not resin. Not only do we lack a history in this art form, the delicate essence of lacquer seems out of proportion to our wide horizons. Like the Japanese haiku, lacquer is a medium for the world in miniature. The challenge of finding a place for Australia in this refined tradition gives the art of Bic Tieu its own unique poignancy.

to read more please visit: https://garlandmag.com/article/bic-tieu/

An Orchid in the Desert by Kevin Murray

An Orchid in the Desert - The Lacquer Journey of Bic Tieu
Kevin Murray

What does it mean for an Australian to master lacquer art? This quintessential oriental art developed over seven millennia to become one of the most sophisticated languages for expressing the preciousness of human existence. What chance does a young settler culture have to contribute to this tradition? Our ancient art is ochre and bark, not resin. Not only do we lack a history in this art form, the delicate essence of lacquer seems out of proportion to our wide horizons. Like the Japanese haiku, lacquer is a medium for the world in miniature. The challenge of finding a place for Australia in this refined tradition gives the art of Bic Tieu its own unique poignancy.

to read more please visit: https://garlandmag.com/article/bic-tieu/

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