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Bic Tieu

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Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Japanese Lacquer Residency 2009-2011

THE ASIALINK VISUAL ARTS RESIDENCIES IN ASIA GRANT
THE IAN POTTER CULTURAL TRUST GRANT
HERMANNS IMPORTS PATRONAGE
MRS PAULINE GANDEL PATRONAGE
LESLEY KEHOE GALLERIES

In 2009, I propose to undertake a professional residency with lacquer master Kitamura Tatsuo of the Kitamura Koubou in Wajima - Japan to augment previous fieldwork research on lacquering techniques in Vietnam and Japan. In 2007 I self-funded a brief residency at the Kitamura Koubou studio to study basic Japanese lacquering techniques under Mr Tatsuo.  My expression of a strong commitment to develop Japanese lacquering skills resulted in an invitation from the Kitamura Koubou studio to host my residency for further training and mentorship by Mr Tatsuo.

The techniques of lacquer are not widely understood, taught or practiced outside of Japan. My aim is to continue to develop the lacquer techniques and its application to the designs and objects I create. The mastering of Japanese lacquer represents the pinnacle of the art form, applying the unique material and techniques to a three-dimensional surface.

In 2009, I returned to Japan. The residency was for a period of 2 years learning and working with Mr Tatsuo and his professional artistic staff. There I developed and refined my knowledge of lacquer tools, materials and importantly learning various lacquer techniques of makie. The success of this professional practice was made possible through support from: The Ian Potter Cultural Trust, Asialink, Mrs Pauline Gandel and Lesley Kehoe.

Japanese Lacquer Residency 2009-2011

THE ASIALINK VISUAL ARTS RESIDENCIES IN ASIA GRANT
THE IAN POTTER CULTURAL TRUST GRANT
HERMANNS IMPORTS PATRONAGE
MRS PAULINE GANDEL PATRONAGE
LESLEY KEHOE GALLERIES

In 2009, I propose to undertake a professional residency with lacquer master Kitamura Tatsuo of the Kitamura Koubou in Wajima - Japan to augment previous fieldwork research on lacquering techniques in Vietnam and Japan. In 2007 I self-funded a brief residency at the Kitamura Koubou studio to study basic Japanese lacquering techniques under Mr Tatsuo.  My expression of a strong commitment to develop Japanese lacquering skills resulted in an invitation from the Kitamura Koubou studio to host my residency for further training and mentorship by Mr Tatsuo.

The techniques of lacquer are not widely understood, taught or practiced outside of Japan. My aim is to continue to develop the lacquer techniques and its application to the designs and objects I create. The mastering of Japanese lacquer represents the pinnacle of the art form, applying the unique material and techniques to a three-dimensional surface.

In 2009, I returned to Japan. The residency was for a period of 2 years learning and working with Mr Tatsuo and his professional artistic staff. There I developed and refined my knowledge of lacquer tools, materials and importantly learning various lacquer techniques of makie. The success of this professional practice was made possible through support from: The Ian Potter Cultural Trust, Asialink, Mrs Pauline Gandel and Lesley Kehoe.

Falling Maple Leaves, 2009

Falling Maple Leaves, 2009

Urushi, Gold and Japanese Pine.

Kougou (small box), 2010

Kougou (small box), 2010

Urushi, Gold and Japanese Cypress.

Victorian Wallpaper Inspired Watchface, 2010

Victorian Wallpaper Inspired Watchface, 2010

Urushi, Gold, Shell Inlay and Steel Base.

Sakura on a Chain, 2010

Sakura on a Chain, 2010

Urushi, Gold, Shell Inlay and Japanese Cypress.

Autumn Sunset Ring, 2011

Autumn Sunset Ring, 2011

Urushi, Gold Powder, White Gold and Black Diamonds.

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