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Bic Tieu

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Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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The 8AAI Conference

The 8th Asian Australian Identities Conference:
Past, Present, Future

3 November 2023
University of Adelaide

The Asian Australian Studies Research Network

The 8th Asian Australian Identities Conference (AAI8) of the Asian Australian Studies Research Network (AASRN) will be held on Friday, 3 November 2023 in partnership with the University of Adelaide. It is part of the OzAsia ‘In other Worlds’ program.

What does it mean to be a creative Asian-Australian in Southwestern Sydney ?

In this paper, I ruminate on the question, What does it mean to be a creative Asian-Australian in Southwestern Sydney? Through my personal narrative as a Southeast Asian-Australian with a contemporary craft and design lens examine these ideas. By analysing the varied transcultural experiences, reveal how the loci of home and place can inform and be a methodical framework for designing a visual language that speaks about identity. There are limited writings that respond to Asian-Australians in Southwestern Sydney and therefore I want to contribute to this dialogue.

To begin, I will reflect on my identity, family migration and contemporary jewellery and object practice as a framework to discuss the influence of place on visual practice. To contextualise this, I refer to Homi Bhabha’s (1994) ‘third space’ theory and diasporic scholars Ien Ang (2001) and Nikos Papastergiadis (2000). Their scholarship on cultural hybridity can help examine the vernacular of place and identity.

Through this context, I use Cabramatta as a case study to show how flows of culture have transformed the area and become a sense of belongingness through the narrative motif of place for many. I explore how the narrative and the motif of place are constructed in my practice to speak about cultural hybridity and what makes my Asian-Australian identity. By reflecting on my own practice, I discuss how place-making has informed the visual design language in my work and view how other Asian-Australian artists negotiate these concepts to investigate what it means to be Asian-Australian through the visual practice of making.

The 8AAI Conference

The 8th Asian Australian Identities Conference:
Past, Present, Future

3 November 2023
University of Adelaide

The Asian Australian Studies Research Network

The 8th Asian Australian Identities Conference (AAI8) of the Asian Australian Studies Research Network (AASRN) will be held on Friday, 3 November 2023 in partnership with the University of Adelaide. It is part of the OzAsia ‘In other Worlds’ program.

What does it mean to be a creative Asian-Australian in Southwestern Sydney ?

In this paper, I ruminate on the question, What does it mean to be a creative Asian-Australian in Southwestern Sydney? Through my personal narrative as a Southeast Asian-Australian with a contemporary craft and design lens examine these ideas. By analysing the varied transcultural experiences, reveal how the loci of home and place can inform and be a methodical framework for designing a visual language that speaks about identity. There are limited writings that respond to Asian-Australians in Southwestern Sydney and therefore I want to contribute to this dialogue.

To begin, I will reflect on my identity, family migration and contemporary jewellery and object practice as a framework to discuss the influence of place on visual practice. To contextualise this, I refer to Homi Bhabha’s (1994) ‘third space’ theory and diasporic scholars Ien Ang (2001) and Nikos Papastergiadis (2000). Their scholarship on cultural hybridity can help examine the vernacular of place and identity.

Through this context, I use Cabramatta as a case study to show how flows of culture have transformed the area and become a sense of belongingness through the narrative motif of place for many. I explore how the narrative and the motif of place are constructed in my practice to speak about cultural hybridity and what makes my Asian-Australian identity. By reflecting on my own practice, I discuss how place-making has informed the visual design language in my work and view how other Asian-Australian artists negotiate these concepts to investigate what it means to be Asian-Australian through the visual practice of making.

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