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Bic Tieu

Street Address
Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
  • BLOG
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Integrated Box Series | 2002

INTEGRATED JEWELLERY OBJECTS
UNSW - COFA Final Year Project
Bone, Ebony, 18Y Gold, Red Acrylic Inlay, Silk Cord and Sterling Silver

Object New Design Award
(selected graduate exhibition)

Object: Australian Centre for Craft and Design, Custom House
Winner: 2003 Object New Design Award for Studio Base Practice

1000 Rings: Inspiring Adornments for the Hand (A Lark Jewelry Book)
by Marthe Le Van
Published on Page 174

ADORNED SURFACES
Cofa Magazine, Issue 07, April - July, Winter 2003, page 6
Author Jonathan Rez

Bic Tieu believes that to achieve something creatively significant requires a vision, concentration and a dedication to learning. One look at her award winning pendant series reveals why she holds this opinion. Her work is concentrated, detailed, refined, elegant and compelling. It combines the skill sets of a woodworker. a jeweller, a painter, a metal smith and a cultural historian into one.

"My life builds outward around each new thing I learn, ' she says. "Because I know that every new skill is a chance to make more of myself and more of my design, I learn it completely."

A recent work placement with well-known jewellery Sabine Pagan allowed Tieu to experiment with new materials and techniques and hone in on the methods that most suit her own type of jewellery design. During her stint, Tieu concentrated on mastering the technique of acrylic inlay, which has been critical in the production of the Integrated Box Pendant Series.

The Integrated Box Pendant Series underscores Tieu's fascination with East-Asian dress customs and the role body adornment plays as a system of coding in ancient societies. The pendant series demonstrates Tieu's finely tuned carving and inlay abilities, using as the subject traditional Chinese court insignia. Each of series she produces features three powerful motifs of dragons, phoenix, and flowers.

Bic Tieu is currently completing a postgraduate degree in the School of Design Studies at COFA examining the process and application of Vietnamese lacquering. Her lecturers Leong Chan and Wendy Parker, both of whom are supervisors for the project, agree that Tieu's research will provide an important body of knowledge on an ancient art, the use of which is quickly diminishing in traditional societies around the world.

Integrated Box Series | 2002

INTEGRATED JEWELLERY OBJECTS
UNSW - COFA Final Year Project
Bone, Ebony, 18Y Gold, Red Acrylic Inlay, Silk Cord and Sterling Silver

Object New Design Award
(selected graduate exhibition)

Object: Australian Centre for Craft and Design, Custom House
Winner: 2003 Object New Design Award for Studio Base Practice

1000 Rings: Inspiring Adornments for the Hand (A Lark Jewelry Book)
by Marthe Le Van
Published on Page 174

ADORNED SURFACES
Cofa Magazine, Issue 07, April - July, Winter 2003, page 6
Author Jonathan Rez

Bic Tieu believes that to achieve something creatively significant requires a vision, concentration and a dedication to learning. One look at her award winning pendant series reveals why she holds this opinion. Her work is concentrated, detailed, refined, elegant and compelling. It combines the skill sets of a woodworker. a jeweller, a painter, a metal smith and a cultural historian into one.

"My life builds outward around each new thing I learn, ' she says. "Because I know that every new skill is a chance to make more of myself and more of my design, I learn it completely."

A recent work placement with well-known jewellery Sabine Pagan allowed Tieu to experiment with new materials and techniques and hone in on the methods that most suit her own type of jewellery design. During her stint, Tieu concentrated on mastering the technique of acrylic inlay, which has been critical in the production of the Integrated Box Pendant Series.

The Integrated Box Pendant Series underscores Tieu's fascination with East-Asian dress customs and the role body adornment plays as a system of coding in ancient societies. The pendant series demonstrates Tieu's finely tuned carving and inlay abilities, using as the subject traditional Chinese court insignia. Each of series she produces features three powerful motifs of dragons, phoenix, and flowers.

Bic Tieu is currently completing a postgraduate degree in the School of Design Studies at COFA examining the process and application of Vietnamese lacquering. Her lecturers Leong Chan and Wendy Parker, both of whom are supervisors for the project, agree that Tieu's research will provide an important body of knowledge on an ancient art, the use of which is quickly diminishing in traditional societies around the world.

Integrated Box Pendant Series

Integrated Box Pendant Series

Cofa Issue 07, April - July, Winter 2003

Integrated Box Pendant Series

Integrated Box Pendant Series

The Sydney Morning Herald, June 6-12, 2003, page 27.

Integrated Box Earrings (closed)

Integrated Box Earrings (closed)

9k Gold, Sterling Silver, Ebony, Bone and Acrylic Inlay.

Integrated Box Earrings (open)

Integrated Box Earrings (open)

9k Gold, Sterling Silver, Ebony, Bone and Acrylic Inlay.

Integrated Box Rings

Integrated Box Rings

9k Gold, Sterling Silver, Ebony and Acrylic Inlay.

© 2024 Bic Tieu