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Bic Tieu

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Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Thresholds | 2020

Thresholds
Sterling Silver, Stainless Steel, Masking Tape and Acrylic Paint

Selected Finalist
The National Contemporary Jewellery Award Exhibition 2020
Griffith Regional Art Gallery
27 November - 18 December 2020

Thresholds is a group of three works (2 brooches and 1 ring) which make a comment on the contemporary global migrant crisis. These works metaphorically and literally speak about the weight of the issue. Based on my lived experiences, these works focus on how migrants experience living intercultural and in-between. Each work, a mass of grey, constructed from numerous layers of masking tape are cut out in the form of Australian native florals meticulously pressed onto it other.

In detail, these images can be identified, but looking at it together, the object is ambiguous, and the visual imagery is in disorientation. The tension and density built from the layers speak about the weight and complexities both globally and individually. Furthermore, the use of non-precious and perishable tape further references the fragility concerned by the conditions of human plight.

Thresholds | 2020

Thresholds
Sterling Silver, Stainless Steel, Masking Tape and Acrylic Paint

Selected Finalist
The National Contemporary Jewellery Award Exhibition 2020
Griffith Regional Art Gallery
27 November - 18 December 2020

Thresholds is a group of three works (2 brooches and 1 ring) which make a comment on the contemporary global migrant crisis. These works metaphorically and literally speak about the weight of the issue. Based on my lived experiences, these works focus on how migrants experience living intercultural and in-between. Each work, a mass of grey, constructed from numerous layers of masking tape are cut out in the form of Australian native florals meticulously pressed onto it other.

In detail, these images can be identified, but looking at it together, the object is ambiguous, and the visual imagery is in disorientation. The tension and density built from the layers speak about the weight and complexities both globally and individually. Furthermore, the use of non-precious and perishable tape further references the fragility concerned by the conditions of human plight.

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