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Bic Tieu

Street Address
Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Tea Leaves

Radiant Pavilion 2021

Radiant Pavilion 2021
Melbourne Contemporary Jewellery and Object Biennial
4-12 September 2021

Mapping Floral Imagery through Iconography for Ideation
This project is a series of three short animations investigating themes of personal identity through a design process. The videos capture the design processes to reveal the development of a visual language that articulates cultural hybridity. By reflecting on my own identity, familial migration and histories of a life lived in-between cultures, provide a visual and material framework for this ongoing dialogue.

Each animation focuses on a selected botanical motif; the rose, kangaroo paw and tea leave as forms to explore intercultural identity. These moving images examine experimentation from various points of iteration in my design practice, between graphic, lacquer and metal. These processes and translations in material lead to the development of a visual language that translates into a surface design for the making of jewellery and object-based works.

Radiant Pavilion 2021

Radiant Pavilion 2021
Melbourne Contemporary Jewellery and Object Biennial
4-12 September 2021

Mapping Floral Imagery through Iconography for Ideation
This project is a series of three short animations investigating themes of personal identity through a design process. The videos capture the design processes to reveal the development of a visual language that articulates cultural hybridity. By reflecting on my own identity, familial migration and histories of a life lived in-between cultures, provide a visual and material framework for this ongoing dialogue.

Each animation focuses on a selected botanical motif; the rose, kangaroo paw and tea leave as forms to explore intercultural identity. These moving images examine experimentation from various points of iteration in my design practice, between graphic, lacquer and metal. These processes and translations in material lead to the development of a visual language that translates into a surface design for the making of jewellery and object-based works.

Tea Leaves Still from animation

Tea Leaves Still from animation

  Return to Program:    www.radiantpavilion.com.au

Return to Program: www.radiantpavilion.com.au

Roses

animation, 2021

Tea Leaves

animation, 2021

Kangaroo Paw

animation, 2021

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