• About
  • Works
  • Words
  • BLOG
  • Shop
  • Contact
Menu

Bic Tieu

Street Address
Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
  • BLOG
  • Shop
  • Contact

The Object Making Image | 2022

ADA LAB Pathways
3D Visualisation and Aesthetic Lab
The University of NSW

Photos
1-2. Motif of flower in VR.
3. Construction in VR.
4. Still of Video with student assistant Penny Zhang.

The ADA Labs Pathway project is an innovation pilot program initiated by the UNSW Innovation Hub. The Pilot offered 5 small research project through an EOI process. I put in a project proposal with the intention of offering opportunity to a student but also work collaboratively to test ideas between contemporary craft making and virtual reality. This project offers students the opportunity to experience the world-leading research labs across the faculty of ADA. I collaborated with Student Research Assistant: Penny Zhang and the 3D Visualisation Aesthetic Lab to render objects in virtual space.

To see the video series >> ADA Labs Pathway Project

About this Project

This project aims to reimagine and alter methods of contemporary craft design and hand production making by visualising the object in virtual space.

By working with ADA Labs, collaborating with student mentorship Penny Zhang and using one of the research outcomes established from my PhD dissertation as a base framework to situate the project.

The challenges of complex contemporary craft practice requires specialised skills and expert knowledge to develop and deliver an outcome. The most demanding factors are time and material expenses which impacts the creative and conceptualising stages. Traditionally inexpensive model making methods, including common materials like paper are prototyped to visualise the early development stages before making. By facilitating the object using virtual reality software, I see this technology in aiding the visualisation process for negating and problem-solving opportunities.

The metal objects translated are constructed from patterns made from floral motifs. These motifs are complex, layered and materialised through a process of casting. By presenting this through a virtual dimension, the challenges of design, material fabrication can be negated through the translation of the object in a virtual space.

The outcomes included drawing experimentation combing various digital software. The drawings are brought into the virtual spaces where elements of the design can be scaled, replicated, and supplemented with additional layers. High fidelity prototyping can be visually achieved and experienced.

The Object Making Image | 2022

ADA LAB Pathways
3D Visualisation and Aesthetic Lab
The University of NSW

Photos
1-2. Motif of flower in VR.
3. Construction in VR.
4. Still of Video with student assistant Penny Zhang.

The ADA Labs Pathway project is an innovation pilot program initiated by the UNSW Innovation Hub. The Pilot offered 5 small research project through an EOI process. I put in a project proposal with the intention of offering opportunity to a student but also work collaboratively to test ideas between contemporary craft making and virtual reality. This project offers students the opportunity to experience the world-leading research labs across the faculty of ADA. I collaborated with Student Research Assistant: Penny Zhang and the 3D Visualisation Aesthetic Lab to render objects in virtual space.

To see the video series >> ADA Labs Pathway Project

About this Project

This project aims to reimagine and alter methods of contemporary craft design and hand production making by visualising the object in virtual space.

By working with ADA Labs, collaborating with student mentorship Penny Zhang and using one of the research outcomes established from my PhD dissertation as a base framework to situate the project.

The challenges of complex contemporary craft practice requires specialised skills and expert knowledge to develop and deliver an outcome. The most demanding factors are time and material expenses which impacts the creative and conceptualising stages. Traditionally inexpensive model making methods, including common materials like paper are prototyped to visualise the early development stages before making. By facilitating the object using virtual reality software, I see this technology in aiding the visualisation process for negating and problem-solving opportunities.

The metal objects translated are constructed from patterns made from floral motifs. These motifs are complex, layered and materialised through a process of casting. By presenting this through a virtual dimension, the challenges of design, material fabrication can be negated through the translation of the object in a virtual space.

The outcomes included drawing experimentation combing various digital software. The drawings are brought into the virtual spaces where elements of the design can be scaled, replicated, and supplemented with additional layers. High fidelity prototyping can be visually achieved and experienced.

DrawingFlower_space1.jpg
Magnolia bend.png
Bic+Penny_Floral_cube_design1.png
Bic_Penny.png

© 2024 Bic Tieu