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Bic Tieu

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Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Moon Light Sea Series | 2018, 2019

MOON LIGHT SEA SERIES
Gold Leaf, Japanese lacquer, Mother of Pearl, Sterling Silver and Stainless Steel

Highly Commended Award
Profile ‘17 - The 5th JMGA-NSW Biennial Curated Award Exhibition for Jewellery, Objects and Metalsmithing.

Gauge Gallery, 19 September to 1 October 2017

Selected Finalist
2018 National Contemporary Jewellery Award

Griffith Regional Art Gallery, 11 August to 23 September 2018

Selected Finalist
Contemporary Jewellery’19 Biennial Jewellery Awards and Exhibition

Toowoomba Regional Gallery, 7 September to 3 November 2019

About
The series of work tells the story of my Parent’s journey from Vietnam. They were both part of the 1978 exodus, Vietnamese boat people, who fled Vietnam in the 1970s after the Vietnam war. The Vietnamese Hoa (Chinese from Vietnam) people were unloaded onto uninhabited islands in Indonesia where I was born. The photographic arrangement of the works shows the ring higher up representing the moon and the two vessel-like brooches below represents my parents out at sea. Through this, a sense of hope, fear and courage is what I have tried to capture in the surface detailing. The series explores migration and diaspora through the visual language of the forms and materials. The peony is a motif I use as a metaphor to discuss my cultural personal experience relating to migration. The structural forms are made from reassembling the deconstruction of a peony flower cut from etched and printed silver. Through this process, the new structured forms create new visual identity layered with painted Japanese lacquer, shell and gold leaf. Referencing the image of waves in the sea, vessels, flora like forms and the earth’s moon.

In 2017, the work was highly commended as a Finalist in the Profile ‘17 JMGA-NSW Biennial Curated Award Exhibition.

In 2018, the work was selected as a Finalist in the 2018 National Contemporary Jewellery Award at Griffith Regional Art Gallery.

In 2019, the work was selected as a Finalist for the Contemporary Jewellery ‘19 Biennial Jewellery Awards and Exhibition at the Toowoomba Regional Art Gallery.

Moon Light Sea Series | 2018, 2019

MOON LIGHT SEA SERIES
Gold Leaf, Japanese lacquer, Mother of Pearl, Sterling Silver and Stainless Steel

Highly Commended Award
Profile ‘17 - The 5th JMGA-NSW Biennial Curated Award Exhibition for Jewellery, Objects and Metalsmithing.

Gauge Gallery, 19 September to 1 October 2017

Selected Finalist
2018 National Contemporary Jewellery Award

Griffith Regional Art Gallery, 11 August to 23 September 2018

Selected Finalist
Contemporary Jewellery’19 Biennial Jewellery Awards and Exhibition

Toowoomba Regional Gallery, 7 September to 3 November 2019

About
The series of work tells the story of my Parent’s journey from Vietnam. They were both part of the 1978 exodus, Vietnamese boat people, who fled Vietnam in the 1970s after the Vietnam war. The Vietnamese Hoa (Chinese from Vietnam) people were unloaded onto uninhabited islands in Indonesia where I was born. The photographic arrangement of the works shows the ring higher up representing the moon and the two vessel-like brooches below represents my parents out at sea. Through this, a sense of hope, fear and courage is what I have tried to capture in the surface detailing. The series explores migration and diaspora through the visual language of the forms and materials. The peony is a motif I use as a metaphor to discuss my cultural personal experience relating to migration. The structural forms are made from reassembling the deconstruction of a peony flower cut from etched and printed silver. Through this process, the new structured forms create new visual identity layered with painted Japanese lacquer, shell and gold leaf. Referencing the image of waves in the sea, vessels, flora like forms and the earth’s moon.

In 2017, the work was highly commended as a Finalist in the Profile ‘17 JMGA-NSW Biennial Curated Award Exhibition.

In 2018, the work was selected as a Finalist in the 2018 National Contemporary Jewellery Award at Griffith Regional Art Gallery.

In 2019, the work was selected as a Finalist for the Contemporary Jewellery ‘19 Biennial Jewellery Awards and Exhibition at the Toowoomba Regional Art Gallery.

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