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Bic Tieu

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Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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IOTA21 Futuring Craft Conference

IOTA21 - Indian Ocean Craft Triennial
Futuring Craft Conference
www.indianoceancrafttriennial.com

*Conference Presentation:
Day 2, Saturday 18th September, Curtin University
*Conference Proceedings: Pages 120 - 134

Designing the In-between: Traversing Biography and Place through Objects

Abstract:
This paper examines how biography and the culture of place can inform strategies and processes in the designing and making of object-based works. By place, I refer to concepts of the geographical loci of home and place; in articulating biography, I draw upon my narrative and identity as an Australian of Southeast Asian descent. By examining the hybridised, transcultural experiences of my Chinese and Vietnamese lineage through a collection of objects, I reveal a methodical framework for developing a visual language. As a contemporary craft designer and maker, I want to contribute to this dialogue through a deliberate visual language of an artistic plus craft and design practice through my blended identity and practice.

By reflecting on my identity, familial migration histories and woven connections of a life lived in-between cultural spheres provide a visual and material framework for this ongoing dialogue of a shared experience. Graphical manipulation of tea leaves and floral motifs and their symbolism in the deeply connected histories of trade and exchange as metaphorical evocations associated with the complexities of my familial migration and experience of cultural hybridity become sources for inspiration. Through these analogies, I developed a creative and experimental combination of animation and digital design applications to provide innovative approaches to casting metallurgical processes. Through this visual form and in my creative processes, I hope to illustrate my insights in living at the in-between from the perspective of an Australian of Southeast Asian diaspora.

IOTA21 Futuring Craft Conference

IOTA21 - Indian Ocean Craft Triennial
Futuring Craft Conference
www.indianoceancrafttriennial.com

*Conference Presentation:
Day 2, Saturday 18th September, Curtin University
*Conference Proceedings: Pages 120 - 134

Designing the In-between: Traversing Biography and Place through Objects

Abstract:
This paper examines how biography and the culture of place can inform strategies and processes in the designing and making of object-based works. By place, I refer to concepts of the geographical loci of home and place; in articulating biography, I draw upon my narrative and identity as an Australian of Southeast Asian descent. By examining the hybridised, transcultural experiences of my Chinese and Vietnamese lineage through a collection of objects, I reveal a methodical framework for developing a visual language. As a contemporary craft designer and maker, I want to contribute to this dialogue through a deliberate visual language of an artistic plus craft and design practice through my blended identity and practice.

By reflecting on my identity, familial migration histories and woven connections of a life lived in-between cultural spheres provide a visual and material framework for this ongoing dialogue of a shared experience. Graphical manipulation of tea leaves and floral motifs and their symbolism in the deeply connected histories of trade and exchange as metaphorical evocations associated with the complexities of my familial migration and experience of cultural hybridity become sources for inspiration. Through these analogies, I developed a creative and experimental combination of animation and digital design applications to provide innovative approaches to casting metallurgical processes. Through this visual form and in my creative processes, I hope to illustrate my insights in living at the in-between from the perspective of an Australian of Southeast Asian diaspora.

IOTA copy web.jpg

© 2024 Bic Tieu