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Bic Tieu

Street Address
Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Objects In-between | 2017 - 2022

MAIN GALLERY School of Art & Design Gallery
Australian National University
105 Childers Street Acton ACT 2601

Higher Degree Research
Season One | Exhibition One
1 April – 14 April 2022

Objects In-between: Designing a Visual Language for Traversing Personal Identity, Migration and Intercultural Spaces.

My PhD project draws on the material culture around contemporary design and craft traditions to articulate identity from an intercultural context. These ideas are framed within the intercultural context of place, home and object. Personal collections of objects are analysed through taxonomy to synthesise interdisciplinary studio investigations combining graphic animations with contemporary jewellery and object processes to develop a visual system that examines cross-cultural translations.

Central to the research is the notion of hybridity as a ‘third space’ informed by my personal narratives and identity as a migrant living in Sydney, Australia. I connect the research to broader theory of third space identity by writings of diaspora intellectuals: Ien Ang, Homi Bhabha, Trinh T. Minh-ha and Nikos Papastergiadis. In addition to this I also connect with object theory to argue how objects can shape and reflect identity. Framed by these theoretical contexts I explore concepts of movement, migration and identity from multiple cultural perspectives of Australian, Chinese and Vietnamese heritage. Through deconstructing these ideas, I define my sense of intercultural hybridity in order to extend common and relatable strategies for designing a visual language that articulates my third space identity.

My final series of metal object-based works are tangible evocations of liminality as manifestations of my experience as a Southeast Asian-Australian woman and further represent a perspective of Australia’s unique complex cultural realities.

PhD Candidate at the Australian National University 2017 - 2022.
This research was also supported by an Australian Government Research Training Program (RTP) Scholarship.

Thesis Cover Design: Huy Nguyen
Exhibition Installation: Gavino Pilli

Objects In-between | 2017 - 2022

MAIN GALLERY School of Art & Design Gallery
Australian National University
105 Childers Street Acton ACT 2601

Higher Degree Research
Season One | Exhibition One
1 April – 14 April 2022

Objects In-between: Designing a Visual Language for Traversing Personal Identity, Migration and Intercultural Spaces.

My PhD project draws on the material culture around contemporary design and craft traditions to articulate identity from an intercultural context. These ideas are framed within the intercultural context of place, home and object. Personal collections of objects are analysed through taxonomy to synthesise interdisciplinary studio investigations combining graphic animations with contemporary jewellery and object processes to develop a visual system that examines cross-cultural translations.

Central to the research is the notion of hybridity as a ‘third space’ informed by my personal narratives and identity as a migrant living in Sydney, Australia. I connect the research to broader theory of third space identity by writings of diaspora intellectuals: Ien Ang, Homi Bhabha, Trinh T. Minh-ha and Nikos Papastergiadis. In addition to this I also connect with object theory to argue how objects can shape and reflect identity. Framed by these theoretical contexts I explore concepts of movement, migration and identity from multiple cultural perspectives of Australian, Chinese and Vietnamese heritage. Through deconstructing these ideas, I define my sense of intercultural hybridity in order to extend common and relatable strategies for designing a visual language that articulates my third space identity.

My final series of metal object-based works are tangible evocations of liminality as manifestations of my experience as a Southeast Asian-Australian woman and further represent a perspective of Australia’s unique complex cultural realities.

PhD Candidate at the Australian National University 2017 - 2022.
This research was also supported by an Australian Government Research Training Program (RTP) Scholarship.

Thesis Cover Design: Huy Nguyen
Exhibition Installation: Gavino Pilli

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© 2024 Bic Tieu