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Bic Tieu

Street Address
Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Under the Surface - Lexus Magazine

Under the Surface
Words by Emily Howes for Lexus Magazine

Jeweller Bic Tieu has something special to show she wants to show me.
We’re in Mother Chu’s Vegetarian Kitchen a haven for a decent feed in the scruffy end of Sydney’s Pitt Street. After unpacking tissue paper from a small box, she leans forward with purposeful eye contact and holds in her fingertips a ring.

It is exquisite: bold and geometric in form yet organic and graceful in detail. a filigree basket of foliage in white gold is mounted on a simple band, supporting a bulbous disc bearing the stylised image of a flower in black and pink. It’s an assertive presence on the hand, something to be worn with eyes twinkling to match its circle of black diamonds. It’s also the culmination of two years of intensive learning in the traditional Japanese lacquer studio of Unryuan Kitamura Tatsuo, and the first taste of Tieu’s vision to take this rarefied art form into uncharted territory.

Under the Surface - Lexus Magazine

Under the Surface
Words by Emily Howes for Lexus Magazine

Jeweller Bic Tieu has something special to show she wants to show me.
We’re in Mother Chu’s Vegetarian Kitchen a haven for a decent feed in the scruffy end of Sydney’s Pitt Street. After unpacking tissue paper from a small box, she leans forward with purposeful eye contact and holds in her fingertips a ring.

It is exquisite: bold and geometric in form yet organic and graceful in detail. a filigree basket of foliage in white gold is mounted on a simple band, supporting a bulbous disc bearing the stylised image of a flower in black and pink. It’s an assertive presence on the hand, something to be worn with eyes twinkling to match its circle of black diamonds. It’s also the culmination of two years of intensive learning in the traditional Japanese lacquer studio of Unryuan Kitamura Tatsuo, and the first taste of Tieu’s vision to take this rarefied art form into uncharted territory.

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