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Bic Tieu

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Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
  • BLOG
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Potted Garden Series I (brooch), 2008

The Garden Pots | 2008

VISUAL ARTS NEW WORK GRANT - THE AUSTRALIA COUNCIL FOR THE ARTS
Japanese Metal and Lacquer Investigations
The Garden Pots series

Contained-Jewellery and Objects, 2008
Kudos Gallery, The College of Fine Arts-The University of New South Wales

The Garden Pots include a series Brooches and Pendants which references suburban Japanese gardens in particular to pot plants. This project was inspired by my first visit to Yamagata, Japan. The forms comment on the particular ornateness to urban gardening aesthetics. The surfaces are articulated with floral designs using some traditional techniques to capture the vibrant hues of pink found in copper. This surface texture is created through the combination of working with an etched surface, followed with copper patination and then painting the surface channels with Japanese lacquer. The forms are hollow and the surface patterns are applied to evoke a sense of the gardening feeling of beauty in a designed nature environment.

The Garden Pots | 2008

VISUAL ARTS NEW WORK GRANT - THE AUSTRALIA COUNCIL FOR THE ARTS
Japanese Metal and Lacquer Investigations
The Garden Pots series

Contained-Jewellery and Objects, 2008
Kudos Gallery, The College of Fine Arts-The University of New South Wales

The Garden Pots include a series Brooches and Pendants which references suburban Japanese gardens in particular to pot plants. This project was inspired by my first visit to Yamagata, Japan. The forms comment on the particular ornateness to urban gardening aesthetics. The surfaces are articulated with floral designs using some traditional techniques to capture the vibrant hues of pink found in copper. This surface texture is created through the combination of working with an etched surface, followed with copper patination and then painting the surface channels with Japanese lacquer. The forms are hollow and the surface patterns are applied to evoke a sense of the gardening feeling of beauty in a designed nature environment.

Potted Garden Series I (brooch), 2008

Potted Garden Series I (brooch), 2008

Urushi, Sterling Silver, Copper, Eggshell and Stainless Steel.

Potted Garden Series I (brooches), 2008

Potted Garden Series I (brooches), 2008

Urushi, Sterling Silver, Copper and Stainless Steel.

Potted Garden Series II (brooch), 2008

Potted Garden Series II (brooch), 2008

Urushi, Sterling Silver, Copper and Stainless Steel.

Potted Garden Series II (brooch), 2008

Potted Garden Series II (brooch), 2008

Urushi, Copper and Stainless Steel.

Moonlight Gardens (pendants), 2008

Moonlight Gardens (pendants), 2008

Urushi, Gold Powder and Copper.

Potted Vessels, 2008

Potted Vessels, 2008

Urushi, Copper, Gold Plating and Sterling Silver.

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