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Bic Tieu

Street Address
Sydney
+61 0412 345 280
Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Metal & Lacquer Australia Council Grant

Australia Council for the Arts: Emerging New Work Grant
Japan Metal and Lacquer Investigations

​Project Summary
In 2007 I was awarded the Australia Council Emerging New Work Grant to travel to Japan to undertake a residency documenting some traditional Japanese metal and lacquer techniques. The aim was to create various surfaces through the investigation of traditional Japanese lacquer and metal techniques applied to a series of contemporary jewellery and objects.

This project is an investigation into developing traditional techniques of Japanese lacquer and metal crafts and applying it to contemporary jewellery and objects. The interest in researching the applications of lacquer is a result in an authored dissertation titled 'Traditional Processes of Vietnamese Lacquer and their Applications to Contemporary Jewellery and Small Scale Body Related Objects' coupled with an exhibition at Kudos Gallery in May 2006. Lacquer is a lustrous paint from a tree resin indigenous to the Asian continent. My interest in Japanese arts is the reason to examine lacquer from this region.

For this project I intend to research and record Japanese lacquering processes, techniques and traditional metal crafts, and the outcomes of the application of the methodology to a series of jewellery objects inspired by floral motifs of East Asia. I am interested in this medium to explore surface techniques in my practice. The project's realisation will involve travel to Japan to visit lacquer artist's studio, lacquer craft and design centres and galleries and possibly university institutions. This opportunity will allow for workshop and technical studio development. The visit will also provide opportunities to purchase lacquer and specialised tools which are not available in Australia. Extensive preliminary research on the project, and contacts inititated will be established to ensure a successful research trip prior to going to Japan. With the documentation of the techniques, this will be applied and developed to a series of jewellery and ojects projects back home in Australia. The resulting research and work will aim for publications and exhibitions.

Digital technology and contemporary methods has been articulated in my work for the last 3 years. The body of work for this project will be a synthesis of traditional Japanese techniques with methods of digital and laser processes. The project will explore the various surfaces and surface patterns on the objects created from these combined investigations of different techniques. This new work aims to provide a contemporary representation and cross cultural reading from the exploration of these techniques. Furthermore develop an awareness into this ancient medium, lacquer.

Metal & Lacquer Australia Council Grant

Australia Council for the Arts: Emerging New Work Grant
Japan Metal and Lacquer Investigations

​Project Summary
In 2007 I was awarded the Australia Council Emerging New Work Grant to travel to Japan to undertake a residency documenting some traditional Japanese metal and lacquer techniques. The aim was to create various surfaces through the investigation of traditional Japanese lacquer and metal techniques applied to a series of contemporary jewellery and objects.

This project is an investigation into developing traditional techniques of Japanese lacquer and metal crafts and applying it to contemporary jewellery and objects. The interest in researching the applications of lacquer is a result in an authored dissertation titled 'Traditional Processes of Vietnamese Lacquer and their Applications to Contemporary Jewellery and Small Scale Body Related Objects' coupled with an exhibition at Kudos Gallery in May 2006. Lacquer is a lustrous paint from a tree resin indigenous to the Asian continent. My interest in Japanese arts is the reason to examine lacquer from this region.

For this project I intend to research and record Japanese lacquering processes, techniques and traditional metal crafts, and the outcomes of the application of the methodology to a series of jewellery objects inspired by floral motifs of East Asia. I am interested in this medium to explore surface techniques in my practice. The project's realisation will involve travel to Japan to visit lacquer artist's studio, lacquer craft and design centres and galleries and possibly university institutions. This opportunity will allow for workshop and technical studio development. The visit will also provide opportunities to purchase lacquer and specialised tools which are not available in Australia. Extensive preliminary research on the project, and contacts inititated will be established to ensure a successful research trip prior to going to Japan. With the documentation of the techniques, this will be applied and developed to a series of jewellery and ojects projects back home in Australia. The resulting research and work will aim for publications and exhibitions.

Digital technology and contemporary methods has been articulated in my work for the last 3 years. The body of work for this project will be a synthesis of traditional Japanese techniques with methods of digital and laser processes. The project will explore the various surfaces and surface patterns on the objects created from these combined investigations of different techniques. This new work aims to provide a contemporary representation and cross cultural reading from the exploration of these techniques. Furthermore develop an awareness into this ancient medium, lacquer.

metal lacquer.jpg

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