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Bic Tieu

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Jewellery and Objects

Jewellery and objects

Bic Tieu

  • About
    • Content: Bio, Reviews, Teaching
    • Bic Tieu Bio
    • Studio
    • FEATURED ARTIST - IOTA24
    • Mentorship + Student-led New Visions in Object Design
    • An Orchid in the Desert by Kevin Murray
    • Catalogue Essay by Dr. Nicholas Bastin
    • Under the Surface - Lexus Magazine
    • Resolved - Journeys in Australian Design
    • Found in Translation: Jewellery Design that tells a Cross-Cultural Narrative
    • Creating Beauty Between Cultures
    • Lacquer Rises in the East
    • Japanese Lacquer Sponsor
  • Works
    • Circling Cabramatta | 2025
    • Re-ConFloral Series | 2024
    • Cabra Charms | 2024
    • Camillia Sinensis | 2023
    • Moving Magnolia | 2023
    • Charms of Fairfield | 2023
    • The Object Making Image | 2022
    • 2022 Robert Foster F!NK National Metal Prize
    • Objects In-between | 2022 - 2023
    • Objects In-between | 2017 - 2022
    • New York City Jewelry Week 2021
    • Radiant Pavilion 2021
    • Animation | 2017-2018
    • Bush Fauna & Flora | 2020
    • Thresholds | 2020
    • Moving Repositories | 2019
    • Home Geometries | 2019
    • Kangaroo Paw Brooches | 2019
    • Ideas Intersecting: Innovation & Design
    • Moon Light Sea Series | 2018, 2019
    • Shifts in Japanese Materiality | 2018, 2019
    • Bi-Cultural Floras | 2017
    • Connected Landscapes | 2017
    • Between Auspicious Forms | 2016, 2017
    • Japanese Lacquer Residency 2009-2011
    • The Garden Pots | 2008
    • Workshopped | 2008, 2010, 2012
    • Lacquer, Lustre, Laser | 2006
    • Seasons | 2005
    • Studio Lacquer Vietnam | 2004
    • Season Series Studies | 2003
    • Integrated Box Series | 2002
    • Alice's Small Objects | 2000
    • Projects
  • Words
    • Content: Articles, Essays, Research Papers
    • UNSW Art & Design Forum Series
    • Garland Magazine - Issue 34 The Street
    • The 8AAI Conference
    • Journal of Jewellery Research
    • Garland Magazine - Issue 26 Objecthood
    • Asian Art Research Now
    • IOTA21 Futuring Craft Conference
    • Book Review for The Journal of Modern Craft
    • Real Material Ethereal: The 2nd Annual Design Research Conference
    • Ligature Journal
    • The International Conference on Design History and Design Studies
    • MAKING an International Conference on Materiality and Knowledge
    • The Journal of the Asian Arts Society of Australia
    • Cross Pollination RED OBJECTS UNSW-COFA
    • 2008 JMGA Conference
    • Master of Design (Honours)
    • Metal & Lacquer Australia Council Grant
    • 2005 International Design Congress
    • 2004 JMGA Conference
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Journal of Jewellery Research

Journal of Jewellery Research
Editorial: Volume 5 - Journal of Jewellery Research
Dr Roberta Bernabei & Professor Jayne Wallace

www.journalofjewelleryresearch.org

Graphics and Contemporary Jewellery Making Process
(Visual/Text Paper)

Abstract
Graphics and Contemporary Jewellery Making Processes is presented as a visual textual paper that aims to show how the integration of graphics can speak about personal narratives of migration and identity in contemporary jewellery processes. This investigation begins by drawing on my personal narratives of living between the Eastern and Western spheres. I highlight the significance of floral symbolism by examining my cultural identity as a Southeast Asian-Australian and the visual culture practiced in the home. This background leads to the application of the peony flower as a graphic to critically engage with concepts of identity and migration. The memory of place, cultures and immigrational route are revealed through these assimilations. Merging graphic design processes to contemporary jewellery craft methods can lead to innovative approaches in design making and meanings.

To read >> JJR_Vol5.pdf

Journal of Jewellery Research

Journal of Jewellery Research
Editorial: Volume 5 - Journal of Jewellery Research
Dr Roberta Bernabei & Professor Jayne Wallace

www.journalofjewelleryresearch.org

Graphics and Contemporary Jewellery Making Process
(Visual/Text Paper)

Abstract
Graphics and Contemporary Jewellery Making Processes is presented as a visual textual paper that aims to show how the integration of graphics can speak about personal narratives of migration and identity in contemporary jewellery processes. This investigation begins by drawing on my personal narratives of living between the Eastern and Western spheres. I highlight the significance of floral symbolism by examining my cultural identity as a Southeast Asian-Australian and the visual culture practiced in the home. This background leads to the application of the peony flower as a graphic to critically engage with concepts of identity and migration. The memory of place, cultures and immigrational route are revealed through these assimilations. Merging graphic design processes to contemporary jewellery craft methods can lead to innovative approaches in design making and meanings.

To read >> JJR_Vol5.pdf

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